Force Fields
Scopri di più su questa tecnica Find out more about this technique
Se volete acquistare un’opera potete scrivermi in privato; il prezzo è specificato nelle info per ogni singola immagine, insieme con le misure sia della stampa che della carta, ed è al netto delle spese di spedizione. Potete pagare tramite Paypal (in questo caso l’acquisto è coperto dalla garanzia Paypal) o bonifico; in entrambi i casi emetterò una ricevuta o una fattura. Le immagini sono accurate, e riflettono fedelmente l'originale, ma se l'opera che vi arriva dovesse discostarsi da quanto vi aspettavate potete restituirla, ed io vi restituirò l'importo; le spese di restituzione saranno a vostro carico, e l'imballo dovrà essere accurato come quello che avete ricevuto. Nella causale del pagamento va specificato il vostro nome, cognome ed il titolo dell’opera; I costi di spedizione sono a carico del compratore, quindi la modalità di spedizione (poste ordinarie, corriere…) è di vostra scelta; purché preveda la tracciabilità del pacco. L’opera verrà spedita arrotolata, per evitare ammaccature; l’imballaggio sarà accurato. Ogni opera sarà accompagnata da una scheda tecnica firmata dall'artista dove sarà specificata la tecnica e la tiratura; sarà inoltre contrassegnata da un timbro a secco dell'autrice.
If you want to buy a work you can write to me in private; the price is specified in the info for every single image, along with the measures of both the print and the paper, and is to the net of the shipping costs. You can pay by Paypal (in this case the purchase is covered by the Paypal guarantee) or bank transfer; in both cases I will issue a receipt or an invoice. The images are accurate, and faithfully reflect the original, but if the work that comes to you deviates from what you expected you can return it, and I will return the amount; the return costs will be at your expense, and the packaging should be as accurate as the one you received. In the reason of payment must be specified your name, surname and the title of the work; The shipping costs are borne by the buyer, then the shipping method (ordinary post, courier...) is of your choice; provided it provides for the traceability of the package. The work will be shipped rolled, to avoid dents; the packaging will be accurate. Each work will be accompanied by a technical sheet signed by the artist where the technique and the print run will be specified; it will also be marked by a dry stamp of the author
FORCE FIELDS: Rome and Contemporary Printmaking is both a sourcebook on the capital role that Rome has played in the history of printmaking and a state-of-the-field of contemporary practices. The volume features diverse academic, professional, and artistic perspectives that illuminate the evolution of and recent shifts in making and diffusing prints in Rome. Leading experts retrace the history of prints from the Renaissance to the current day; Roman master printers recount experiences working with some of the artists who define twentieth-century art; and a richly illustrated catalogue of contemporary works, by locally trained and international artists drawn to Rome, introduces the varied conceptions — and force fields — operative in printmaking today. This volume will delight anyone interested in printmaking (specialists and non-specialists), inform those curious about Rome’s past and present role in the visual arts, and serve as a reference book for printmakers and critical historians.
I am at heart an illustrator. I like to represent. Working through the many materials and procedures of intaglio printmaking modifies what I initially visualize. When I have finished working on the matrix, I consider the infinite possibilities for experimentation during the printing stage and enjoy exploring the many outcomes. I like to test things out and try different variations. My idea evolves into something more poetic and expressive as I go through the printmaking process, which is always interesting, creative, and unpredictable.
“Persepolis” is a research that starts from a traditional black and white print, and develops a chromatic research, playing on the multiple printing of two matrices; one made in etching and the other in aquatint. I reinterpreted a classic subject (a bas-relief of the archaeological site of Persepolis, traditionally represented in black and white) developing it in a wide range of colors and combinations, up to an alternating combination of two prints, collaged. One the inverse of the other, one printed chalcographically (dark subject on light background), and the other printed typographically (light subject on dark background).
Catalogue “Multiple”; artist’s books from the collection of the National Bibiloteca of Luxembourg
2020
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